Every typeset shown at the sizes that actually break one: a title at hero scale over a
tonal field, then the full four-role specimen — in the real faces, not the picker's
subsets. Switch to the narrow width to see how each holds together on a phone.
At hero scale, over a photograph
Darkroom · 167 KB
Field Notes
Wren & Magpie
Atelier · 138 KB
Field Notes
Wren & Magpie
Kunsthalle · 131 KB
Field Notes
Wren & Magpie
Dispatch · 169 KB
Field Notes
Wren & Magpie
Print Room · 110 KB
Field Notes
Wren & Magpie
Bauhaus · 26 KB
Field Notes
Wren & Magpie
Monument · 200 KB
Field Notes
Wren & Magpie
Broadsheet · 139 KB
Field Notes
Wren & Magpie
Orchard · 93 KB
Field Notes
Wren & Magpie
Negative · 162 KB
Field Notes
Wren & Magpie
Foundry · 104 KB
Field Notes
Wren & Magpie
Index · 81 KB
Field Notes
Wren & Magpie
Contact Sheet · 40 KB
Field Notes
Wren & Magpie
Marquee · 78 KB
Field Notes
Wren & Magpie
Riviera · 70 KB
Field Notes
Wren & Magpie
Frontier · 113 KB
Field Notes
Wren & Magpie
Sunday · 71 KB
Field Notes
Wren & Magpie
Apogee · 72 KB
Field Notes
Wren & Magpie
Longhand · 166 KB
Field Notes
Wren & Magpie
Vows · 112 KB
Field Notes
Wren & Magpie
Vespers · 99 KB
Field Notes
Wren & Magpie
Cathode · 59 KB
Field Notes
Wren & Magpie
All four roles
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Darkroom
167 KB
Fraunces · Hanken Grotesk · Inter · IBM Plex Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Atelier
138 KB
Bodoni Moda · Jost · Inter · IBM Plex Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Kunsthalle
131 KB
Syne · Karla · Inter · Space Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Dispatch
169 KB
Newsreader · Archivo Narrow · Courier Prime
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Print Room
110 KB
EB Garamond · Inter · IBM Plex Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Bauhaus
26 KB
Jost
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Monument
200 KB
Cinzel · Literata · Inter · IBM Plex Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Broadsheet
139 KB
Big Shoulders · Spectral · Archivo · IBM Plex Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Orchard
93 KB
Alegreya · Alegreya Sans
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Negative
162 KB
Bricolage Grotesque · Inter · JetBrains Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Foundry
104 KB
Zilla Slab · Archivo · IBM Plex Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Index
81 KB
Archivo · Inter
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Contact Sheet
40 KB
JetBrains Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Marquee
78 KB
Abril Fatface · Karla · Archivo
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Riviera
70 KB
Poiret One · Cormorant Garamond · Jost
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Frontier
113 KB
Rye · Zilla Slab · Archivo Narrow · Courier Prime
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Sunday
71 KB
Baloo 2 · Nunito
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Apogee
72 KB
Orbitron · Chakra Petch · Archivo · Share Tech Mono
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Longhand
166 KB
Caveat · Alegreya · Alegreya Sans
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Vows
112 KB
Pinyon Script · Cormorant Garamond · Inter
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Vespers
99 KB
Pirata One · EB Garamond · Inter
Field Notes
Wren & Magpie
We drove until the road ran out and then a little more, and the light did what it always does at that hour.
35mm · f/2 · 1/250 · ISO 400
Cathode
59 KB
Pixelify Sans · Space Mono · Space Grotesk · Silkscreen
The 6 accents, in their interaction states
Every face we ship
38 families, 166 declared faces, 4653 KB
on disk — each line below asks for one file by its own weight, style and codepoint range,
so a face that has gone missing or been declared under the wrong family name draws in a
fallback here rather than silently on somebody's published site.